Kazakh Ornament

Kazakh ornament in the architecture of Karaganda in the 1930s-1950s


Author: Yuliya Lyandayeva
Photographer: Larissa Karchevskaya
Design and layout: Ardak Mukanova 

This album will be of interest to artists, designers, architects, researchers, pupils, students, and anyone studying the history of Karaganda. Readers will be able to examine in detail and explore variants of the Kazakh ornament decorating public and residential buildings in the city.

Work on the project "Kazakh Ornament in the Architecture of Karaganda of the 1930s–1950s" began with compiling a list of buildings that incorporated national ornamentation in their design during the period under review. This also involved studying the works of Kazakhstani authors on the subject.

The idea for this book was conceived by Yuliya Lyandayeva, an artist and regional researcher who is the author of the ongoing research project "Until it exists in Karaganda." Since 2018, this project has focused on studying and photographing the historical buildings of the Karaganda region. As part of the project, postcards featuring details of the disappearing architecture of the Soviet period have been distributed, and guided walks for adults and children, dedicated to the history of the city and the region, have been conducted. The release of this album is a natural continuation of this work and the first step toward studying the national style in the architecture of Karaganda.

The creation of this album is not just a documentation of architectural details but also a tribute to the rich cultural heritage of Karaganda. It serves as both an educational resource and a call to action, highlighting the importance of preserving and celebrating the unique artistic traditions of the region. By bringing these ornaments to light, we hope to inspire a deeper appreciation for their historical and cultural significance, ensuring that they continue to inform and inspire future generations. This album marks the beginning of a broader effort to preserve the national style in architecture and foster a renewed sense of pride in the visual history of Karaganda.







© 2025 Ardak Mukanova